The Cookers Bio
Billy Harper
Billy Harper’s unique music creativity was first noted in Houston, Texas, where, at age 5, he was singing at sacred and secular functions and participating in choral and solo singing events. By age 14, he formed his first Billy Harper Quintet while a student at Evan E. Worthing High School. Graduating cum laude, he went on to study saxophone and music theory at North Texas State University and received his Bachelor of Music degree. He continued graduate studies at NTSU and became a member of their famed One O’clock Big Band.”
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Eddie Henderson
Jazz trumpeter extraordinaire Eddie Henderson received his first informal lesson on the trumpet at the age of 9 from Louis Armstrong. As a teenager he studied trumpet at the San Francisco Conservatory of Music and performed with the San Francisco Conservatory Symphony Orchestra. In 1957, Eddie met Miles Davis for the first time. Miles, a family friend, admired the strikingly beautiful tone and musicality of Henderson’s trumpet playing and encouraged him to pursue a career in music. As a family friend, Miles has been a major musical influence on Eddie throughout his life. That culminated in May of 2002 with the recording of So What, a tribute to Miles that features songs associated with the legend. As Henderson puts it, “Miles is so very special to me because when I was in high school he stayed in my parent’s house when he came through San Francisco. I was going to the conservatory then studying classical music. I saw him do all these songs live that I recorded on the tribute album.”
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David Weiss
In a jazz climate that rewards neo-conservative tributes and far-flung exercises in deconstruction, David Weiss has distinguished himself another way: through finding flexibility and innovation in music that has its roots in the mainstream. The trumpeter, composer, and arranger has had the opportunity to learn from some of the music’s quintessential figures by touring and/or recording with the likes of Freddie Hubbard, Charles Tolliver, Billy Harper, Bobby Hutcherson, Slide Hampton, James Moody, Tom Harrell, Louis Hayes, Muhal Richard Abrams, Odean Pope, Geri Allen and Billy Hart among many others. Weiss was born in New York City, but began his musical studies in earnest by attending North Texas State University. He graduated in 1986 and returned to New York. He soon found work with Jaki Byard, Frank Foster and Jimmy Heath and began to study with fellow trumpeters Tommy Turrentine and Bill Hardman. He also attended Barry Harris’ weekly workshops, a valuable learning experience for Weiss and an opportunity for him to play with Mr. Harris and Walter Davis Jr.
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Donald Harrison
Donald was born in New Orleans in 1960 and grew up in a home environment saturated with the city’s traditional music of brass bands, parades, modern Jazz, R&B, Funk, Classical, World and Dance music. His connection to New Orleans roots were deepened by his father, a Big Chief, in a new style of African culture developed New Orleans. The culture is an offshoot culture of Congo Square, one of the only known places in North America where Africans openly participated in their culture in the 18th and 19th centuries and has incorporated some aspects of Native American culture as well. Donald himself became the Big Chief of The Congo Square Nation Afro-New Orleans cultural group in 1999 and coined the term Afro-New Orleans. He built the first costume that merges East, West and Central African designs with Afro-New Orleans style cultural designs.
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George Cables
When George Cables was going to school in New York City he used to walk the streets at night, taking in the cosmopolitan sights and sounds, mentally recording his encounters with “so many different kinds of people.” In his musical career as well, Cables has prowled sidestreets and main thoroughfares in relative anonymity, absorbing countless influences into his personal style.
Born in New York City on November 14, 1944, Cables was classically trained as a youth and when he started at the “Fame” worthy High School of Performing Arts, he admittedly “didn’t know anything about jazz.” But he was soon smitten with the potential for freedom of expression he heard in jazz.
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Cecil McBee
World-acclaimed Bassist Cecil McBee was born and raised in Tulsa, Oklahoma, a community of rich and varied musical roots. His musical career started in high school, where he first played the clarinet. He and his sister Shirley soon gained local notoriety performing clarinet duets at concerts around the state. By the age of 17, he began to experiment with the string bass and played steadily at local nightclubs with top Jazz and Rhythm and Blues groups.
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Billy Hart
Billy Hart was born and raised in Washington, D.C. Jazz was in his blood. His family lived five blocks from the Spotlite Club, where the underage drummer pressed his ear to the window to listen to the Coltrane-Adderley-Evans edition of the Miles Davis Sextet, and the Lee Morgan-Benny Golson edition of Art Blakey and the Jazz Messengers. His father, a mathematician and “an intellectual cat who demanded respect and knew a lot about a lot,” was a staunch Ellington fan; his paternal grandmother had played piano for Marian Anderson and knew William Grant Still. His mother was devoted to Jimmie Lunceford; his maternal grandmother—who bought him his first “good drum set for a gig with a good bebop band”—was a friend of D.C. tenor hero Buck Hill, who turned Hart on to Charlie Parker, and hired him at 17 for nine months of weekend gigs at a spot called Abart’s, where fellow McKinley High School students Reuben Brown and Butch Warren joined him six nights a week as the house rhythm section.
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